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<lastBuildDate><![CDATA[Tue, 14 Oct 2008 15:29:08 GMT]]></lastBuildDate>
<title><![CDATA[Peregrinos de Valencia/Pilgrims of Valencia]]></title>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/rss/paulamichaljohnson]]></link>
<description><![CDATA[A free blog from blogtext.org]]></description>
<pubDate><![CDATA[Fri, 13 Jun 2008 12:14:32 -0500]]></pubDate>
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<title><![CDATA[An Expressive Art, Act of Defiance,or a Public Venue]]></title>
<description><![CDATA[<p><img border="0" height="140" src="/userFiles/paulamichaljohnson/16243_100x0.jpg" width="100"/>   I don't know how to turn it sideways now that it's in this program, so tilt your head.  One of my favorite letter graffiti events is on a wall on our path to the Metro.  Someone wrote in BIG magic marker  Micro Puta.  How someone could be a little tiny whore or bitch is amazing to me.  Very funny.  But in general I am not offended by the graffiti but see it as public art. I'm sure if it was on my walls at home it might be more irritating.  Even the police here, don't view it as a horrible crime against humanity.  A friend of ours has  a son who asked her, &quot;What do  you think about graffiti?&quot;  Later the cops came over to their house and said, &quot;Your son was involved in painting graffiti on this guy's gate--he won't do anything about it if they go take it off.&quot;</p>

<p>From our first morning in Valencia looking out our apartment window I saw colorful, expressive artwork on walls on the edge of the Plaza de la Merced near the Central Market.  The images are captivating.  The artists, armed with spray paint and other tools show up at night with lights and this work appears.  It's sort of like self-publishing your work.  But not all the graffiti is angry or counter culture.  One of the Fallas that David and I liked so much was topped by a really intense, spiky haired female.  We liked her and she sort of embodies the graffiti artist in a way.  Actually there was a sculpture of a Graffiti artist with spray can in hand on the other side of this one, but David didn't capture it.  It was on my lost DVD of all my Falla last day photos that died.  But you get a sense of the &quot;Up yours! sentiment&quot;  that's alive and well in Spain.<img border="0" height="1120" src="/userFiles/paulamichaljohnson/webThirdFingerFalla.jpg" width="800"/><br/></p>


<p>The bravado and all is quite similar- in a public space-- reminds me of the AIDS activist artist who was a companion of Warhol's who did subway painting in the dark of night.  I will remember his name.  Their was an exhibit of hi s work in Reading a few years ago.  Mary Jo Hill and I saw it, so I may ask her his name.   <br/></p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/17261.jpg" width="600"/></p>


<p>Apparently some signs are universal.<br/></p>


<p><img border="0" height="480" src="/userFiles/paulamichaljohnson/17264.jpg" width="600"/></p>


<p><br/></p>


<p><img border="0" height="40" src="/userFiles/paulamichaljohnson/17265_100x0.jpg" width="100"/>  Clearly the marijuana plant is a universal symbol.  And this was probably a great place to smoke it, away from the crowd, next to some orange groves.<br/></p>


<p><br/></p>


<p>But these are reminiscent of Picasso and true art renditions.  They take a full new turn!<br/></p>


<p><img border="0" height="1120" src="/userFiles/paulamichaljohnson/llorando.jpg" width="800"/><br/></p>


<p>These two are both from our local La Canyada park.  Nobody seems to notice or worry that it's here.  Kids go on playing games on the basketball court.  Older folks sit in the park with their grandkids.  It's a well used park with plenty of light at NIGHT.<br/></p>


<p><img border="0" height="400" src="/userFiles/paulamichaljohnson/mujere.jpg" width="600"/><br/></p>


<p>This back on the old mill wall in Campament.  Where I felt the guilty pleasures of taking photos in the weeds.  So I understand the graffiti artist's emphasis on this one.<br/></p>


<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webyes2.jpg" width="600"/><br/></p>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/22913.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Fri, 13 Jun 2008 12:14:32 -0500]]></pubDate>
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<title><![CDATA[Fabulous Paella in L'Eliana]]></title>
<description><![CDATA[<p>June 08,2008 will go down in history as one of the best meals we have had in Spain. Trust me we have eaten lots of paella here, but there is no comparison between restaurant paella and the backyard (think barbecues in the US) paella.  </p>
<p><img border="0" height="1067" src="/userFiles/paulamichaljohnson/webCarbona-Family-L_Eliana-.jpg" width="800"/><br/></p>
<p>Vicente Carbona, the paella cook, had started long before we arrived to build the wood fire under the paella pan.  Fruit wood is the best, but these little wooden pieces of wood kept the fire evenly burning.  The little house in the picture, in their backyard is where the magic happens.  It has a vent for the smoke and looks like a real kitchen.  Ingredients for this paella were olive oil, garlic, chicken (or rabbit)  when the chicken has cooked, then he poured in a can of chopped tomatos, then  he poured enough paella rice across the middle of the pan to make a dam from one side to the other.  The spices are saffron based, corn starch and salt.  Then you put in the vegetables, flat green beans and artichokes.  Except they go in before the rice so it will be tasty.  What a pleasure to be invited into a home, a rare occurrence for us in Spain.  That's not uncommon, it's not that Spaniards don't like foreigners, but when they meet us they prefer to be on neutral ground. <br/></p>
<p> Vini was born inValencia but moved to Boston when his family was ten years old.  The Franco regime did not treat them at all well and his father's shoe factory was blackballed by the politics of the system and they were able to get out of the country.  Vini met Mona at Boston University.  She had traveled and lived all over the world.  They married and have three children, high school to post high school. Their beautiful home they finished as a shell in an urbanizacion.  Their tales of what it was like to finish the house was a Herculean task.  But it is gorgeous.  Roomy downstairs, terrace with the table, the paella place out back along with the pool.  To boot they have a finished basement with the biggest laundry room in the world.  Their oldest son, lives next to it, in absolute privacy.  The garage is fully tiled.  Amazing.</p>
<p>David met with Mona at our house for Spanish tutoring for almost three months.  He has really made progress. Now he's correcting me!<br/></p>
<p>But a big part of David's comfort with Spanish is Mona's doing.  She marched him through verbs, adjectives, pronouns, etc.  So he feels like he has a more comfortable base.  He understands quite a bit, but there are still those trace moments when it's a little dicey making out technical words like </p>
<p>&quot;Cuidado con los animales Sulfeticacion&quot;  We figure it has to do with spraying for mosquitos.<br/></p>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/22689.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Mon, 09 Jun 2008 11:31:22 -0500]]></pubDate>
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<title><![CDATA[The Dalai Lama I'm not]]></title>
<description><![CDATA[<p>After two weeks traveling with guests on a faster track than I have been on in a while, I realized that I had not worked on the blog since the visit began.  I had taken photos but just downloaded them to the drive, waiting, waiting, waiting.  As we traveled to Sagunto, an old Iberian,Roman town, Toledo, Talavera de la Reina, El Escorial, Segovia and Madrid, there was an uneasiness in me.  I had not been making sense of my experience for me, my processing vehicle was silent.  </p>



<p>How did this happen?  Chasing the tourist experience is one explanation.  We were out of contemplative modes.  But as luck would have it, it was in this vacuum that I finally saw that while I don't meditate with the force of the Dalai Lama, the blog has been my meditation-my discipline.  I have been a dutiful daughter to the muse.  As a tool it offers me &quot;ways in&quot; to reach for what is coming through my eyes, all my senses.  It has been a grounding tool here in Spain.  Without the discipline and the sense of obedience to it, my experience here would have been less rich.</p>



<p>David said, &quot;12 more days,Paula&quot; two days ago.  And so it is.</p>


<p>  There are a few more photo shooting opportunities in the gardens in Valencia, a trek to a Ceramics museum in Paterna, the next town over, where we never got off the train because it was a seedy stop.  And we will purchase a few things that we want to add to our lifestyle in the U.S.  They have these fantastic ceramic plates that you can grill in the oven with.  So you plop your vegetables in olive oil, put them under the broiler and in a few minutes all the verduras are toasted and delightful.  So hopefully we will be able to incorporate not just the physical aspects of our trek into our new life, but also the walking, taking public transportation, being more present to how we live.<br/></p>


<p>Back to the blog, it is something I will continue to do as a spiritual discipline somehow. A way to integrate experience, a way to bring in the new, re-evaluate the old.  Many of us beat ourselves up over not having the discipline to meditate like a pro or to follow a guru, or the determination to be the highest form of being possible.  We often emulate the yogis and others, without seeing the dedication to love, passion and enlightenment that moves from something as simple as committing to a blog. So here's an example of not listening to guidance, getting the message and regrouping via the images.<br/></p>


<p>Two days ago I got off the metro at Campament a metro stop I have been wanting to explore, but haven't.  There is an old mill there that is in disrepair.  Every time I saw it on the metro ride into Valencia, I would say, &quot;Someday.&quot;  Well, while we were gone to Murcia, the mill burned- the work of a couple of homeless folks.  I wondered what was left of it.  When we came back from Murcia, it had been torched again. My heart dropped into my stomach.  I should have stopped earlier and gotten it, when it had more integrity.  </p>
<p>Here's fire one...<br/></p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webstraightarticle12.jpg" width="600"/><br/></p>


<p>Fire Number 2.</p>
<p><img border="0" height="456" src="/userFiles/paulamichaljohnson/web2ndMolinofire2.jpg" width="600"/><br/></p>
<p>  Notice the roof is really gone in my photos.  At least I kept the newspapers these were in.  Finding these papers was ALSO quite serendipitous.  These are not in any major paper.  Just free papers available in train stations..... And I picked them up in different places... They were finding me.</p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webMolinopath2bw.jpg" width="600"/><br/></p>
<p><br/></p>
<p>David and Elisabeth had both said I shouldn't go IN the place alone.  Well, I crossed the metro tracks and  found a pathway between two fenced garden plots that were actively being tended.  I thought that was a good sign.  There were signs of dogs having been walked extensively there with urine and poop tantalizing the nostrils.  A row of huge century plants protected the gardens from the train tracks.  I got closer and saw the wire mesh surrounding the mill.  There was smoky residue on the walls, graffiti on the inside was visible, so others had been there before me, clearly.  It was quiet there.  I jumped a little when I saw a man walking down the side of the road with a Mercadona plastic bag in his hands. He passed.  So I pulled out the camera and took shots of the building- knowing it was pretty dangerous to wander inside.  The building looked like it could collapse. While many of the photos I have taken are not perfect photos, some out of focus, some grainy, low light. They reflect the feeling of being here. So my critical, judgmental eyes get to take a back seat.  Here the challenge was stepping into an abandoned  four hundred year old mill.  Included are some shots of the graffiti, the windows, the walls from different angles. See what they mean to you.  As a gal from Texas the one below looks like the Alamo.<br/></p>
<p><img border="0" height="434" src="/userFiles/paulamichaljohnson/webpaternalamo2.jpg" width="600"/></p>
<p><br/></p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webcornerruin2.jpg" width="600"/></p>
<p><br/></p>
<p><img border="0" height="429" src="/userFiles/paulamichaljohnson/webGraffitilayers2.jpg" width="600"/><br/></p>
<p><br/></p>
<p><img border="0" height="1120" src="/userFiles/paulamichaljohnson/webholeinwall2.jpg" width="800"/><br/></p>
<p><br/></p>
<p><img border="0" height="1120" src="/userFiles/paulamichaljohnson/webinsidegraffiti.jpg" width="800"/><br/></p>
<p><br/></p>
<p><img border="0" height="1120" src="/userFiles/paulamichaljohnson/webMolinodelBati2.jpg" width="800"/><br/></p>
<p><br/></p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webyes2.jpg" width="600"/>I worked quickly and then  hopped over the tracks again and took some more recent graffiti shots.  I was the interloper along with all the others.  It has a history and soon it will be torn down because it is a danger to the community.  These were some of the shots that captured my attention.  It reminds me of an asbestos factory where my photo group went to shoot just before it closed for good.</p>
<p>Here I was a soon to be 59 year old woman crawling into places to get shots that were a little dicey, but I took a deep breath and went where angels fear to tread.   The &quot;Yes&quot; was somehow confirmation that I had taken the initiative and hadn't been captured by dangerous forces.<br/></p>


<p> <br/></p>



<p>There is little doubt that Spain has changed us. Uprooting us from habits, teaching us that though we are mature adults, we don't have to be stodgy. There are adventures and explorations everywhere. So it's important not to get bogged down in the day to day and keep the spirits of the high seas about us.  Yesterday the electricity went out, we had to just be with the darkness for a few hours.  We do not know who to call, everyone in the neighborhood did not have electricity- so we just relaxed and eventually it came on.  We had candles at the ready.  In Fountain Hill, we would have gotten irritated, called PP&amp;L and tapped our fingers on the counter top because something was getting in our way.  So time for new ways to take root and sprout ingenuity.</p>


<p>Coming home means throwing away many of the clothes we brought here, they are well-worn, lots have new holes from our washing machine which is also a thresher of sorts. Valencia this term has been way colder than we imagined.  I have worn a pair of shorts once.  In the last two weeks I've had my winter silk undies on, and there was snow in the hills north of Madrid.  So truthfully, I did not have to pack anything but winter clothes for  this trek.  Sun bathing has been at a minimum.  Our only beach experiences have been in Manga del Menor near Cartagena, it has much to do with expectations.  We are not big sunbathers anyway, walking by the beach is nice, but frying in hot oil doesn't work for either of us.</p>
<p>A curious thought occurred to me.  If I continue to process images and experiences, will anyone else be curious once I have my feet back in the US?  I don't know.  But I know I will continue to write because I have found a different voice.  Even if it's just for me, it's enough.<br/></p>
<p><br/></p>


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<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/22503.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Thu, 05 Jun 2008 10:27:23 -0500]]></pubDate>
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<title><![CDATA[The Scarab Shows Itself]]></title>
<description><![CDATA[<p>This morning, after cleaning, mopping, and laundry, I spied a shiny object on the couch. A beetle, but not just any beetle, it was a golden beetle.  It looked dead to me, so I put it aside next to my candle, incense holder and with rocks I have picked up from the Mar de Menor and Valencia.  Half an hour later, I went over to look at it.  Not there.  It was a bit to the right of where I had placed it.  Clearly not dead.  </p>
<p>So fetched the camera and decided this was a moment to capture.  I put
the little thing on a box of plates David was given in Turkey, velvet. 
Took some pictures but had to really jack up the speed of the ISO(ASA)
to 400 to get anything to show up.  Too grainy, so I took the beetle
outside on a table and it was a cooperative subject.  The whole time I
was feeling enormously lucky having seen it.  A number of things could
have happened. I might never have seen it and it would have
disappeared.  I could have sat on it and crushed it.  But,no--it
survived the interior of this house.</p>
<p><img border="0" height="1000" src="/userFiles/paulamichaljohnson/webScarabShots3.jpg" width="800"/><br/></p>
<p><br/></p>
<p>It's amazing.  I had added it to my collection and it dared to walk away. That will teach me.  So in these photos you see the beauty of something that originally was probably a dung beetle. I left it outside and voila it flew away, or hobbled away.  I guess beetles fly.<br/></p>
<p>Having forgotten the Egyptian meanings for the beetle, I googled, scarab and beetle.  Then I remember, a few years ago a scarab fell out of the air into my hands as I was walking out the backdoor of my house.  It was perfect but dead.  It was during a time when a number of flying objects were showing up- an unusual wasp invaded the front yard and the dead beetle.  Signs of resurrection and shifting.  Here's the scoop on the scarab....<br/></p>
The Sacred Scarab in Egyptian Mythology<br/><br/>According to their ancient texts, the Egyptians believed that the scarab beetle came into being spontaneously from balls of dung and they associated this with their religious ideology of self-creation and resurrection. Thus, the scarab beetle was worshiped under the name Khepri (meaning 'he who has come into being' or 'he who came forth from the earth'). As a self-created deity, Khepri became synonymous with the creator-god, Atum, of earlier times. Furthermore, in the same way that the scarab beetle pushed a ball of dung before it, the Egyptians imagined that Khepri rolled the sun (the solar 'ball') across the sky from east to west each day, and so they also regarded Khepri as a form of the sun-god, Ra (or Re). Hence, the scarab became an important symbol of creation, resurrection and everlasting life in the religious mythology of ancient Egypt. Small jars and coffins containing dried (mummified) scarabs were often placed in Egyptian tombs as part of their ancient funeral rites to ensure eternal resurrection (ref. 1).<br/><br/> <br/>(1) W.A. Ward, 1978, Studies on Scarab Seals Volume 1 Pre-12th Dynasty Scarab Amulets, Aris &amp; Phillips, Warminster.<br/><p>I am NOT claiming to be a deity, but who cannot claim growing and transforming in some ways who we have been and when I'm cremated-no beetles in the urn. I'm sure lots of folks would love for me to transform even more- especially my children who walk the other way at mention of my spiritual adventures.  So we will see what this means to me.</p>
It did strike me that my friend Johanna who has just had throat surgery might hold onto this image as part of her recovery.  Certainly resurrection means a dying of the old and a new way of being coming into existence.<br/><p><br/></p>
<p><br/></p>
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<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/21457.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Sat, 17 May 2008 17:31:51 -0500]]></pubDate>
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<title><![CDATA[Antiquities: Look in the Mirror]]></title>
<description><![CDATA[<p>Several people really enjoyed the descriptions of the House of Good Fortune, ruins of a typical street and two houses in Cartagena. My first reaction was, if we like old or ancient things, we should look in our own mirrors. Yikes.  All kidding aside, that's what we are doing when we step into the memories of older cultures.  When David and I lived in Bryan,Texas the house was built in 1939 and it was in the historic district of the town. It was a small cape cod built by high school students in a building program.  Perspective shifts.  </p>

<p>When we moved to Pennsylvania there were usable buildings from the 1700's and Native American sites that were light years older.  The irony is that, &quot;aqui in Espana&quot; old things are often old hat.  They have been surrounded by Roman ruins, Iberian ruins, the Visigoths destroyed many of the ruins and the Moors built beautiful buildings that Ferdinand and Isabella,better known as Reyes Catolicos, &quot;transformed&quot; from mosques into cathedrals. The last time we were here one of David's fellow matematicos was driving us to Madrid from Valencia he was only pointing out the tv towers and radio towers not the ancient cathedrals or windmills or... that captivated us.  </p>

<p>Ironically, we chose a house north of Valencia that is &quot;older&quot;.  When potential renters came by to look for a summer house in La Canyada I overheard them saying to the real estate agent that it's a nice house but it's so old.  It was built around 1950.</p>

<p><u>Casa de Buena Fortuna</u></p>

<p>Here's the Roman house where they found FORTUNA written at the entryway to one of the houses.  Not a bad sentiment to offer for those who enter. </p>

<p><img border="0" height="400" src="/userFiles/paulamichaljohnson/web1Fortuna-CasadeBuena1.jpg" width="600"/></p>

<p><br/></p>

<p>The piecing together of tiles found in the rubble suggest interesting senses of color. I always thought that the Romans were all about white, monumental marble, but apparently not so.  In the large view the spaces that haven't filled in create a different reality.  Almost as interesting as what they have pieced together.  For the artists- negative space.<img border="0" height="1200" src="/userFiles/paulamichaljohnson/web1CasaBFBigTile1.jpg" width="800"/><br/></p>

<p>In the photo of the design, up close you see the actual size of the pieces.  Those of you who love jigsaw puzzles eat  your hearts out.</p>
<p><br/></p>
<p><img border="0" height="400" src="/userFiles/paulamichaljohnson/web1CasaBFortuna-Tiles1.jpg" width="600"/></p>
<p><u>Museo Arq</u><u>ueologico Cartagena</u><br/></p>
<p>And from the Archeological Museum in Cartagena we saw this sign.  Some of the tablets are funeral markers, but lots of them are just signs about laws, rules, and locations.  So for those of us who complain about the email we write or deal with.  Think how carefully you would consider writing if you had to use a chisel and stone.  No whiteout or backspacing to delete.  If you read Latin please tell me what this is about.</p>
<p><br/></p>
<p><img border="0" height="400" src="/userFiles/paulamichaljohnson/web1RomanSignCart1.jpg" width="600"/></p>
<p><br/></p>
<p>The funeral monuments are pretty cool but imagine the time that went into them.  Todays granite or concrete monuments are a little cheesy.  I just wonder if this is really a likeness of the person who died, or if like in US obituaries you see photos of people when they were 20 in a sailor suit.</p>
<p><u>Plaza de Toros, Cartagena<br/></u></p>
<p>The Plaza de Toros in Cartagena looks a lot like a Roman amphitheatre, this one also demonstrates the Moorish influence in the area which was considerable. the key like openings.  Of course under neath this they have found ruins of a &quot;roman theatre&quot;.</p>
<p><img border="0" height="1067" src="/userFiles/paulamichaljohnson/web1CartPlazadeToros1.jpg" width="800"/><br/></p>
<p>This quirky building below is an ode to all of us when we feel like we are standing alone.  This facade is typical of Spanish urban renewal.  They save the front and build behind it.  Of particular interest though is the knot of wires that are  hanging from the house.  Code inspectors in the US would have a conniption fit as my grandmother Myrtle used to say.  </p>
<p><br/></p>
<p><img border="0" height="1067" src="/userFiles/paulamichaljohnson/web1standalonebldg.jpg" width="800"/> <br/></p>
<p><br/></p>
<p>But just to remind us that we are not in charge at all, here is one of the trees we have found all over Spain, and no one we have asked knows their names.  They remind me of the trees we saw in Joshua Tree National Monument in California. You too can play, &quot;Name that tree.&quot;</p>
<p><br/></p>
<p><img border="0" height="400" src="/userFiles/paulamichaljohnson/web1bighonkinroots1.jpg" width="600"/></p>
<p>This tree has to be really old, that's how it made into the antiguo category.The next episode will take in a little Murcia and the 25th anniversary that David and I shared in Murcia.  We know some of you have 50th anniversaries coming up, like my brother Floyd and his wife Fran. But, hey we started much later. So happy trails and looking in the mirror is not such a bad idea.<br/></p>
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<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/21359.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Wed, 14 May 2008 19:09:06 -0500]]></pubDate>
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<title><![CDATA[Confronting Hannibal, the Romans, & the Spanish Civil War]]></title>
<description><![CDATA[<p><strong><font size="4">Cartagena &amp; Murcia   May 2-9 2008</font></strong><br/><br/><font face="Arial, Helvetica, sans-serif">Embarking on our second rental car adventure in Spain was a wholly different experience than the first.  We rented the cheapest car Sol-Mar had.  It was listed on British “car hire” sites.  We were picked up at the airport and taken to their shop, where they immediately upgraded us to a more comfortable car at no extra charge.  We found our way with good directions onto the auto route then took the beach route south through Valencia, Benidorm, Alicante, and south near Torrevieja, along La Manga del Menor (a huge salt sea) and on to Cartagena.  David drove to break the car in, I had not driven a car since January…..  <br/><br/>Cartagena and our relation to it were complicated.  It is a small seaport, but more than that it was a major defensive port.  The best port west of Italy with easy access to Carthage in North Africa.  I think it was named Carta Nova after the Phoencian and Carthaginian influences in North Africa.  Archaeologists have found parts of the Roman city in sites all over the downtown center.  You can find these underground archeological sites all over subterranean Cartagena.  In the most unsuspecting places, there are these subtle entrances.  Above ground there was a café and gaming club, underneath, “The House of Good Fortune”  or Buena Fortuna.  In this darkened museum was the remains of a wealthy Roman home complete with cooking areas, painted walls- precursors to wallpaper, the entrance into the street and the street itself.  We also saw two other museums that you could easily have missed, one that was the rediscovered remains of the Forum and the Tribunal where Roman holy men prayed for the Emperor.  Everywhere there were Moorish walls, Punic War walls- all a testament to the strategic importance of this site.<br/><br/>I can’t help but draw the comparison to the human experience of having the rich relics and ruins of ourselves, old remains, underneath the modern, quirky exteriors that we are.  In the US the ruins or points of archeological interest are usually Native American.<br/><br/>We waited on Saturday morning to see the Museo Archeologico of Cartagena.  David was literally hanging on the fence wanting to get in. </font></p>

<p><font face="Arial, Helvetica, sans-serif"><img border="0" height="1200" src="/userFiles/paulamichaljohnson/webDavid-Encarcero2.jpg" width="800"/></font> Outside of the museum, which was built on a necropolis, complete with burial grounds, there were thousands of pounds of Roman and Carthage columns and buildings just laying around, next to  modernist murals.  See if you can see the little people, who look like Martians in precarious positions in this photo.  Juxtaposition of ancient and pop.</p>

<p><font face="Arial, Helvetica, sans-serif"><img border="0" height="1002" src="/userFiles/paulamichaljohnson/webCartagenaArcheoMural2.jpg" width="800"/><br/><br/>We were amazed at the items in the museum.  ( For pictures from here out, go to the Photos section on the left  side and click on Cartagena).  All sorts of pre Roman tools used for sewing, rocks trimmed for instruments and farming tools.  Kind of makes you wonder what they will find under your house after you are gone.  There were almost intact amphoras, pottery containers used to carry water. Marble sculptures, a little weather worn, my favorite is the headless woman.  The heads were carved separately, as were the arms and were attached with metal rods into the base.  That’s why so many of the statues lost their heads and arms.  <br/><br/>Clearly, when building projects are underway, they bring in the team of archeologists to check the site before they are allowed to excavate.  All these finds were in the last half of the 20h century.  The Teatro  Romano is being restored as are the many walls of the city.<br/><br/>Modern Civil War buildings, the Refugio de las Bombas ( Bomb Shelter) point to the life of being a target of Franco’s friends, the Italians and the German air forces.  This museum is on the actual site of the bomb shelters designed to hold 5,000 people.  It’s built into the side of the tallest hill in Cartagena that has an old castle on top.  Great view from there.  But you have to take an elevator from the shelter to the top.   I was really taken by the Refugio because it challenged my knee-jerk sense of Peace at any Cost.  The Republican (anti-Franco forces) starved, families were divided, children sent away to family outside of Cartagena to protect them.  But the shelter made the experience real, not abstract.  The base of the shelter, is a site to exhibit children’s posters for La Paz.<br/><br/>In the harbor are incredible, Star Wars-like  structures camouflaged in rock and stone  to hide canons and guns and submarines.  <br/><br/>There has been a haunting almost dreamlike aspect to our entire trip—an undertone of the Spanish Civil War throughout, beginning with our reading of “The Ghosts of Spain  by Giles Tremlett.   This book details, from a British point of view how much of modern Spain is anchored in the Civil War.  Though nobody wants to talk about it. </font></p>
<p><font face="Arial, Helvetica, sans-serif"> In Cartagena we met the reality of the war site.  It happened.  I realized that this is as close as I have come to being in or near a war battleground.  In the US there are battle sites, Antietam, First Battle of Bull Run, but those were mostly fields where soldiers died.  Here, the civilian toll was horrific.  And on both sides. Like so many other areas rife with killing and disputes.  Maybe the children’s posters are an afterthought, perhaps a  plea that no other families have to suffer.  Even after Franco’s death people were reticent to talk about where their family was in the struggle.  Socialists would punish those who even obliquely had anything to do with the war. <br/><br/>In Valencia at the IVAM (Modern Art Museum) we saw a phenomenal exhibit of Luís Ramon Marín (Madrid 1884-1944) and saw what it meant to be an insider photographer in the Franco regime.  Photos of Rivera the founder of the Falangists- Super Right- in battle fatigues and his funeral at El Escorial,Phillip II’s huge monumental city.  Marin had 18,000 glass negatives of his visions of the most famous people in Spain. He documented from airplanes, boats, etc.  His visions were clear and compelling, I don’t know his politics.  To see some of his images go to http://www.ivam.es and look for current exhibicions for Marin.  We have talked to people on either side who lost uncles, grandfathers to the machinations of the Republicans and the Francists.  So there is no winner.<br/><br/>Leaving Cartagena we went to La Playa en La Manga del Menor.  Think the southernmost place in the US, Key West, where you can see Cuba in the Keys.  It’s like that.  We had paella on the beach and it was fabulous.  It’s hard to imagine what it would be like to live on the beach.  We passed high rise, after high rise, before we found- probably an illegal passageway that took us to the Mediterranean.  There, with sun screen in the car, we baked on the beach while eating fabulous paella on Mother’s Day in Spain, the week before US mother’s day.<br/><br/>There are many salt seas in the area.  Big salt producing area.  So for rheumatism treatments this is Mecca.  You can go for a week and receive water treatments.  So Archana, Murcia, and other places have balnearios with hotels.  I was tempted, but we already had a hotel.<br/><br/>We had a wonderful time with our Spanish host, Angel Ferrandez-Izquierdo, his wife Marisol, and their daughter Marta.  We hope they can visit the U.S. with Marta who has special needs.  A family with giant hearts.  See them below.  Angel is wearing Marisol’s glasses so he can read the menu.  <img border="0" height="225" src="/userFiles/paulamichaljohnson/webangelmarisolmarta1_1.jpg" width="600"/><br/><br/>David talked at the University and felt really good about it.  A number of graduate students from University of Granada also came to David’s talk, though they were there for a short course offered by Marco an Italian mathematician from Univ. of Milan.</font></p>
<p><font face="Arial, Helvetica, sans-serif"><img border="0" height="400" src="/userFiles/paulamichaljohnson/webDavidMurcia2.jpg" width="600"/><br/></font></p>
<p><font face="Arial, Helvetica, sans-serif">Yes,  he's out of focus but someone else took this picture.  And here are the rest of the faculty and students from Murcia and Granada.  Quite a crew.  Notice all the women!</font></p>
<p><font face="Arial, Helvetica, sans-serif"><img border="0" height="200" src="/userFiles/paulamichaljohnson/webMurcia-Geometry-Group1.jpg" width="600"/><br/><br/>After Cartagena, where we saw everything turistico, we just enjoyed Murcia.  Our 25th anniversary was spent in a fabulous restaurant El Rincon de Pepe, in our hotel.  It’s where the rich and famous go.  Since we were neither- we stuck out like sore thumbs.<br/><br/>What we did discover in Cartagena and Murcia were the wines of Murcia, Jumillas, Bullas, and Yeclas.  Angel gifted us with examples of them and we had found a special one we liked in Cartagena- called Casa de Ermita, a Jumilla, that has great powerful burst of flavor.  It’s not for wimps.  But is really good with spicy food.  Now we have to see who imports these delicious beauties.</font></p>
<p><font face="Arial, Helvetica, sans-serif"><br/>In case you haven’t figured it out yet, we are not in control of lives. We came back to a house that was radically transformed. There was about ¼ inch of fine debris from cutting tile on all flat surfaces.  I cleaned the house thoroughly before we left so UGH! The landlady had workers come in and clean the grounds of all the winter plantings, take the skuzzy water out of the swimming pool and paint it.  And, to boot, they had gutted the downstairs bathroom taking out the 1950’s fixtures,tub, toilet, and replaced with tile walls,a new ceiling, vanity and mirror with lots of Ikea type furniture with  glued wood products. Not fabulous for those with chemical sensitivities. Now there is a fancy shower with 8 water jets, a little base, and today they are putting in a circular shower curtain holder so David will not have to  mop up the entire floor after he showers.  <br/><br/> Needless to say—we moved upstairs to the third floor bedroom  only to find that --today, they were taking the roof off our new bedroom and putting asphalted tin on it.  I am doing well, trying not to breathe it in.  So after this blog, I will go for a walk and try to regroup.<br/><br/>On Wednesday David leaves for Lyons, France for his last mathematical excursion.  He has traveled to Turkey, Granada, Salamanca and Murcia to give talks and now he flies to Lyon for a Geometry conference where he will spend time thinking mathematically with Vincent Borrelli at the University of Lyon.  He will have to restrain himself in Lyon.  It is the gastronomic capital of France.  Hopefully he will come back with a few euros in his pockets.  He finds Borrelli quite a fascinating mathematician, much in common.  Thanks to Olga Gil, Universitiy of Valencia, David was able to spend quality time with Vincent when he came to Valencia in February.</font></p>
<p><font face="Arial, Helvetica, sans-serif">This next week we will welcome visitors from Fountain Hill, our neighbors Kim and Terry Ritter. I am sure it will be a continuation of Spanish aventura.<br/> </font></p>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/21279.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Tue, 13 May 2008 12:26:49 -0500]]></pubDate>
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<title><![CDATA[Malaga, Marta y Tu Familia or the American Exchange Family Returns]]></title>
<description><![CDATA[<p><br/></p>

<p><strong>A month late,but my heart is still open to Malaga.</p>

<p><strong>It is now April 26th and about a month ago we visited our wonderful Spanish daughter Marta Dorao Garcia and her family in Malaga, by the sea on the Costa del Sol in Andalucia.  Though many of the blog entries have been about buildings and ancient history, this one is about the brilliance of human connections.</strong></p>


<p><strong> In a fleeting moment when Gwen who is now 21 was 3 years old, David received a request at Lehigh to house Spanish exchange students.  We talked about it and we were given choices.  We took the one from Malaga.  It was a heart opening experience for us all.  Marta came to us just shy of her 15th birthday, she came back the next summer, and then after graduating from high school, she came to study English at Harcum College in Bryn Mawr for a year.  It was a treasure and she is still with us in spirit.  We had last seen Marta and Anton, her husband, in New York on their honeymoon about 7 years ago. It was when Elisabeth was a junior in high school and was coming back from a month in Sweden with Barbro Olson in Gotland.  </p>



<p><strong>This has been a very powerful year in Marta's family's life.  Abuela, Josefina's mother died last September. Abuela was a force of nature. A powerful woman who was the glue of the family in some ways.  A deeply religious woman, she was a beautiful presence. </strong></p>


<p><strong>Even as I write this I can feel the tears welling up.  We are given special moments to savor. In 1990 when I stopped in Malaga on my way to Dublin for the International Communication Association meeting, Abuela sat with me and told me how their german shepherd had howled when Marta's dad, Santiago-a Malaga architect died.  Even with my limited language skills, the feeling was alive and real.  David and I stayed in Abuela's room, it will always be her room to us.  We were so honored to be there.  Writing about this loss was echoed by the fact that Josefina lost her sister in December of 2006- she was waiting for a transplant.  We met Josefina's sister and brother-in-law and her niece Rocio when Marta stayed with us for a year in Plymouth Meeting.  A lovely woman- and certainly gone too soon. Whew!  And Rocio has a new baby, her mother would be so proud.  An amazingly resilient family.  And as destiny wouldhave it we have served as witnesses of the changes, deaths and births, in their family for almost 18 years.</p>



<p><strong> And life goes on. And here is evidence of it. Marta with Anton and a little darling niece, Claudia. The next generation. What amazing family devotion.  We watched Anton, her favorite uncle play with Claudia- she was glued to his side.<img border="0" height="960" src="/userFiles/paulamichaljohnson/webantonmartaclaudia1.jpg" width="800"/></p>




<p><strong>Marta and Anton picked us up at the brand new train station, ironically we weren't sure Malaga was the last stop on our marathon 9 hour train ride from Valencia to Malaga, so we sat on the train with a few other tourists and finally the train personnel were leaving and told us that we had to get off.  We were more than a little giddy.  We met two Americans on the train and spoke English for several hours.  We may see Janny, the native Spaniard, who is building residential communities for seniors in Spain, again in Valencia.  Marta took us up to the Malaga parador, which sits up above the city on a hill.  It is a spectacular view of Malaga, the bull ring, the port, but most of all, we took pictures with Marta.  A very special human being.  David, her American father.</strong></p>



<p><strong><img border="0" height="960" src="/userFiles/paulamichaljohnson/webdavidandmarta2.jpg" width="800"/></p>




<p><strong>and Paula her American mother.<img border="0" height="600" src="/userFiles/paulamichaljohnson/webmartapaula2.jpg" width="600"/></p>




<p><strong>Here's a view of the sea from Marta's mother's home in the northern coastal part of Malaga, it's a little further down the hill from the Parador..</p>




<p><strong></p>




<p><strong><img border="0" height="1067" src="/userFiles/paulamichaljohnson/webmalagasea1.jpg" width="800"/></p>




<p><strong>Josefina was a real tour guide for us while Marta worked the next day, not to mention that we were spoiled rotten.   Josefina offered delicious food and welcomed us with open arms.  For this we are grateful.  We saw where Antonio Banderas has a home, the old city walking district, which is phenomenal.  It was an opportunity to see Malaga from the inside. I loved this picture of Josefina and David outside the cathedral.  So forgive me for gratuitous photos.  But is this quintessential David or what? </strong></p>


<p><strong><img border="0" height="1000" src="/userFiles/paulamichaljohnson/webDavidJosefinacatedral2.jpg" width="800"/></p>



<p><strong>Stopping at the Malaga cathedral, then on to several museums and a bishop's home that was now a museum.  We saw bits of a modernist exhibit devoted to the crucifixion.  It was a little gory.  We all agreed it was a bit much.  Think blatant.  Josefina  <img border="0" height="1000" src="/userFiles/paulamichaljohnson/webJosefina-Cerveza.jpg" width="800"/></strong></p>




<p><strong></p>




<p><strong></p>




<p><strong>took us to El Pimpi a bodega where famous people, like Paloma Picasso have signed wooden wine barrels which are prominently displayed.  So here's the obligatory photo of David in front of wine barrels, how brazen of me, I almost called them wine kegs.</strong></p>




<p><strong></p>




<p><strong><img border="0" height="1000" src="/userFiles/paulamichaljohnson/webEl-PimpiMalagaDavid1.jpg" width="800"/></p>




<p><strong>More than anything we just enjoyed being with Marta and her family. Marta came to stay with us when she was 15 she is now 34.  Wonderful things happen in student exchanges. It was delightful to see Lucia, Marta's older sister, who was joining them for her cousin Rocio's baby's baptism in Cordova on Saturday.  The special treat was being able to see everyone dressed up, including Claudia, Lucia's amazing daughter.  Here's the BEFORE shot</p>




<p><strong><img border="0" height="480" src="/userFiles/paulamichaljohnson/webclaudiaLuciared2.jpg" width="600"/></strong></p>




<p><strong>This is the before shot, and now we have the show-stopping girl in lime green then dressed with her bag and big shoes.</strong></p>




<p><strong></p>




<p><strong><img border="0" height="1200" src="/userFiles/paulamichaljohnson/webClaudiabapt2.jpg" width="800"/></p>




<p><strong><img border="0" height="1333" src="/userFiles/paulamichaljohnson/webclaudiamamas-shoes.jpg" width="800"/></p>




<p><strong>Not to be outdone, Josefina, Marta and Lucia were dressed as fashionistas.  </strong></p>




<p><strong><img border="0" height="1000" src="/userFiles/paulamichaljohnson/webJosefinabaptism1.jpg" width="800"/></p>




<p><strong>Lucia &amp; Marta with their designer looks.</p>




<p><strong><img border="0" height="1000" src="/userFiles/paulamichaljohnson/web2luciamartafashonistas.jpg" width="800"/></p>




<p><strong>While la familia was going to the baptism, several hours away in Cordoba, David and I went to see the Museo Picasso, a relatively new museum devoted to, guess who?  We happened upon a fabulous photography exhibit of  late 19th and 20th century photographers from all over the world!  I was a happy camper.  This is likely about the 15th Picasso exhibition we have seen and I have to admit, while I think he was a brilliant master he was a difficult human with some odd and bizarre twists.  What we liked the most was the building.  Incredibly well done.  Marta worked with the architect who designed the building, so was in on the ground floor of the museum.</strong></p>


<p><strong>While we had talked about her experiences trying new ways to create her life, Marta mentioned that she and a friend had gone to a yoga class, but the teacher was not right for her. After the museum David and I stopped at a tea room for dessert and there on the wall of the tea room was an announcement that Tenzin Wangyal Rinpoche, a Tibetan Bon Master I have studied with was coming to Malaga-giving a free lecture on May 1. Talk about coincidences.  It was so nice to be able to share this with Marta.  Who knows?  It is such a small world in so many ways.</p>


<p><strong></p>




<p align="left"><strong>The last day we went to the beach to have lunch (la comida).  This brought back wonderful memories of our trip in 1994 with Gwen and Elisabeth, visiting their home.  Santi, Marta's brother stopped by to see us as well.  Sorry, Santi no photo.  He is a successful architect in Malaga and his wife Maria and two children Santi III and Julia. But here are the mujeres smiling for David's camera <img border="0" height="400" src="/userFiles/paulamichaljohnson/webMujeresMalaguena.jpg" width="600"/></strong></p>



<p align="left"><strong></p>



<p align="left"><strong>and a special photo of me with Josefina.  </strong></p>



<p align="left"><strong>We are so much more mature than we were the last time we saw each other.</p>



<p align="left"><strong><img border="0" height="400" src="/userFiles/paulamichaljohnson/webjosefinaPaula2.jpg" width="600"/></strong></p>


<p align="left"><strong>But clearly the message from this visit is visible.  It is regardless of what happens in our lives, we are admonished SERIOUSLY to play.  And what better to have, than nieces and nephews -young ones to remind us that while life challenges us in so many ways the best way to greet them is to keep a playful attitude. <img border="0" height="1085" src="/userFiles/paulamichaljohnson/webclaudiamartablocks2.jpg" width="800"/></p>



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<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/20840.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Sat, 26 Apr 2008 19:18:39 -0500]]></pubDate>
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<title><![CDATA[Back to Valencia from The Oldest University in Spain & Santa Teresa]]></title>
<description><![CDATA[<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webThe-shadow-Self-Salamanc.jpg" width="600"/></p>


<p>April 25, 2008  Back in Valencia<br/></p>

<p>We were in the Central Market in Valencia today to get those things we can't get in grocery stores. Like a fresh duck, a fresh chicken, habanero peppers, cherries.  We still haven't gotten over rabbit being sold in grocery stores and the market.  An older couple were talking to the woman at the meat counter (birds and rabbits) about wanting the heads of the rabbits, but not the eyes or the teeth.  David and I were cringing.  It's just cultural and we have the notion that bunnies are to be raised in cages or house trained and they don't.  We had a house bunny for years so it's especially wild for us.  If we let these things bother us, it just plays into our shadow selves.  We realize the limits of our vocabularies constantly.  With the duck and the chicken, we got them with everything but the heads, because we weren't exactly sure what we would say to indicate we didn't want the organs, etc.  So we will clean the chicken and the duck, but they won't be staring us in the face while we do it.<br/></p>

<p><br/></p>

<p>It's actually quite humorous, we have gotten used to being in Spain, after 3 months, now we are seeing that the trip will eventually end.  Of course we knew it would end, but our emphasis for so long has been on learning how things work in Spain, the politics, the day- to- day necessary things, that when the real estate agent called the house telling us that they would be bringing clients in on Saturday to look at the house for July and August- I finally got that we have hit the tipping point.  We will not be here forever. </p>

<p> So now we are  looking at Valencia and suddenly the questions are changing.  What do we want to see that we haven't seen before this window closes?  Certainly this happens to all of us when we are experiencing the limits of our time frames.  Sometimes it's a limit placed on us by the tenuous or fragile, but we move on.  We see that in Valencia it has  suddenly become summer.  For the first time in our bedroom downstairs, the tile bastion of winter- &quot;the refrigerator&quot;- did not need the electric heater plugged in to be comfortable.  Walking from the metro with our little old lady market trolley, it was HOT getting back to the house.  <br/></p>

<p>Last night ,at dusk David called out to me, he was sitting on the patio outside barbequeing ribs, &quot;Paula, I have just seen bats!&quot;  David has a lifelong fear of bats.  So the fact that we have left our windows open inadvertently a couple times, had new meaning.  He was laughing because the bike club he has cycled with is called the &quot;Bats&quot; now he knows why.<br/></p>

<p>We have really gotten that we are still the &quot;other&quot; and will continue to be here.  Our accents are just beacons for others to shake their heads and go into simple explanation mode.  We get the culture at a glance and find things that are meaningful for us, but the sub-strata remains a mystery.<br/></p>

<p>April 21, 2008  <br/></p>

<p>Well, it has been an interesting time getting back into Valencia time.  From the enormous and powerful senses of excitement and discovery of places I have wanted to see the entire trip, to coming back to a bathroom toilet overflowing and the daily routine. </p>

<p> It's not just hard for me, but David is having a time settling back into the routine.  He has such high expectations of himself on this trip.  Like THINK all the time and come up with BIG theorems.  Or a theorem. Having mathematical theorems construct and just as easily deconstruct is part of the way mathematics happens. Only here it takes on its own significance because there aren't so many distractions, like teaching, meetings, etc. etc.   In his own way he is experiencing the same things I am, just in different spheres.  His expectations are mathematical, mine are spiritual.     The shadow self above goes with returning to Valencia, getting our feet back on terra firma and reassessing where we are.  I watched my mind shift with lightning speed from what weeds are growing in the garden and yard here to what must be growing like crazy in my yard in Fountain Hill, PA.  But not to worry, there will be time to pick those weeds, and see what herbs have come up on their own.  Likely we will miss the roses blooming this year in Fountain Hill, but  another time.<br/><br/>April 20,2008<br/><br/>&quot;When I let go of what I am,<br/>  I become what I might be.&quot;<br/><br/>-- Lao Tzu<br/><br/>Yesterday we spent in transit between what felt like the 12th century back to the 21st century.  Avila and Salamanca were places with antiquities.  Yes there are modern areas where people live, but the majority of the churches and historic cites are in the old sectors. <br/>But the trains were taking us back to Valencia.  This little pilgrim was tired from bucking the wind in Salamanca and the rains dampened the verve for more Teresiana.  It felt like we were being ripped from one culture to another.  A sense I haven’t had recently.</p>
<p>David worked with Pablo Chacon in Salamanca.  <img border="0" height="450" src="/userFiles/paulamichaljohnson/webDavidpablo2.jpg" width="600"/></p>
<p>He and David have posed in the courtyard of a palacio that was used in the 16th century as a residence for  students from Ireland and now a University of Salamanca hotel and restaurant complex.  Typical of the gold stone of Salamanca is the New Cathedral that is 15th century next to the old one that is 13th century. <img border="0" height="400" src="/userFiles/paulamichaljohnson/webatnuevadoor2.jpg" width="600"/>One of the big ironies is that in the repair of the entrance wall to the new cathedral is a wonderful, modern astronaut, <img border="0" height="1200" src="/userFiles/paulamichaljohnson/webastronautacatnueva2.jpg" width="800"/> it's the highlight for schoolkids seeing the cathedral.    <img border="0" height="994" src="/userFiles/paulamichaljohnson/webRioTormeiglesia2.jpg" width="746"/><br/></p>


<p><img border="0" height="1067" src="/userFiles/paulamichaljohnson/webcasadeSTwallS2.jpg" width="800"/><br/><br/>Probably the deepest part of my experience in Salamanca was finding the Casa de Santa Teresa.  Though it is now the headquarters for the Congregation of the Servants of St. Joseph Workers, founded by a Jesuit, Francisco Butinya and Bonifacia Rodriguez de Castro (who will be the first saint from Salamanca).  It’s name hasn’t changed -- they realize that the historic moments of Teresa in the house have marked the space forever.  And apparently there are sufficient people interested in her and her works.  More people read <u>Interior Castles</u> than almost any other book about Saints.<img border="0" height="450" src="/userFiles/paulamichaljohnson/webpaulacst-smile1.jpg" width="600"/><br/><br/>I was so anxious to see it, I waited outside for 30 minutes for it to open, so I stood outside in the sun and wrote in my journal.  At the appointed time, I rang the bell and after awhile, a woman came from the office next door and asked “si quieres pasar?  Did I ever? Of course there was another large statue of Teresa with a goat on her shoulder in the Plaza de Santa Teresa across the street. Teresa describes the time in Salamanca in her book Foundations.  <br/><br/>The guide, a woman in her 60’s or 70’s took my hand and walked me through the history of Teresa in the building. There was an automatic sense of connection.  My face was split from ear to ear in una sonrisa (smile) as she read from Teresa’s book Fundaciones.  I understood most of it, and she was pleased to see that I had done my homework.  I knew about the major challenges of her life.  She took me up to the chapel where Teresa and her fellow nun Maria del Sacramento experienced the Night of Fear, November 1, when the bells of Salamanca ring for the Dead.  This I will have to read up on, because clearly it was a momentous occasion.  Yes, an opportunity for me to investigate what fears hold ME in place.<br/><br/>My balloon sized heart propelled me through the afternoon.  And I wished I had had time to take notes on the tour in English-- to be sure I could understand it all.  So the next day, I went back and she opened the door, I told her I wanted to copy the English guide for my notes.  She said, “Claro,” and fixed me up with a chair and a table.  Then she said, “ Si, lo tengo en mi ordinador.  Imprimo para ti.”  So, true to her word she printed the material for me to take with me.  She then asked if I wanted to take a picture and have  a picture of me in the space. I said, let me take one of you, so I will remember.  So it is that I have a picture and an email address of the woman who was my guide through this space. <img border="0" height="1200" src="/userFiles/paulamichaljohnson/webmiguiacst2.jpg" width="800"/> She told me my happiness was contagious, and it made her very happy to see someone who was so delighted with Teresa.  I thanked her and she said, “Es la Corazon de Teresa- tenemos.&quot;  (It's the heart of Teresa, we all have it.)  She gave me her email address and I will write her back.<br/><br/>My only regret is she told me how to get to the Carmelite convent out of town by bus. And her friend Luz would take me around.  Alas the weather turned cold and freezing and I didn’t have the chutzpah to launch onto a bus, not knowing where I was going.  The point is I know something cool would have happened had I stepped outside of my discomfort zone.  Besides I had two other mathematicians saying, “The Number 4 bus doesn’t really go there to Cabrerizos.”  So I guess I won’t know what was behind door number 4.<br/><br/>April 14, 2008 Salamanca  Letting the Nose be the Guide?<br/><br/>At the moment I am trying to figure out why all of the externals are guiding me to St. Teresa places.  Each one seems to have its own brand of physical challenge for me. <br/></p>



<p> In Granada the residencia,three blocks from the convent for Santa Teresa's nuns, had about ten air fresheners from hell –they bought them by the cartons.</p>



<p> The  hotel in Avila, a few blocks from all Teresa sites had no new paint, but was so dust laden that I was barely able to breathe through my mouth and get through it.  </p>



<p>The Artheus Hotel in Salamanca is RIGHT across the street from the Carmelite Chapel where I prayed today and just down two streets from the Casa de Santa Teresa. It was newly repainted within the last few months.  Dumb one here, didn't mention  the issues with new paint only perfumes.  <img border="0" height="1120" src="/userFiles/paulamichaljohnson/webTeresadeJesusChapel2.jpg" width="800"/></p>



<p>In Valencia I had been marveling at the fact that I have had freedom of movement for the most part. I didn’t have to rein in my explorations because places were too smoky, or recently painted.  My environmental sensitivities seemed to have left me after we abandoned the first apartment in the city with it’s Miracle Foam beds.  <br/><br/><br/>  I sound like St Teresa's self-humiliating language before the Inquisition.  So we have a newly painted room. And they have those tiled floors where the radiator runs under the tiles.  Which is very fancy but it's too hot and you burn your feet when you walk in the bathroom barefoot.  Maybe that is about the Carmelites being without shoes just sandals.   I have the windows wide open and am trying to breathe differently and boost my immune system.  I am trying to see this as not unlike Teresa's trials.  It won't kill me but will ask me to look deep inside to see what in me is reacting to this chemical stuff.</p>
<p>Keeping all this in perspective is a curious venture.  It's not all that important in the great scheme of things.  What is important is the friends we meet along the way.  Here are two favorites from Salamanca- Cecilia and her son Nicolas whose dad, Pablo, was David's collaborator.</p>
<p><br/></p>
<p><img border="0" height="431" src="/userFiles/paulamichaljohnson/webCeceliaa.jpg" width="575"/><br/><br/>And here's Nicolas!</p>
<p><br/></p>
<p><img border="0" height="144" src="/userFiles/paulamichaljohnson/webNicolas3.jpg" width="144"/><br/></p>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/20677.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Mon, 21 Apr 2008 17:44:36 -0500]]></pubDate>
</item>
<item>
<title><![CDATA[West of Madrid into the Heart of Teresa de Jesus]]></title>
<description><![CDATA[<br/>Avila, April 11 -13, 2008<br/><br/><br/>Miguel de Unamuno a famous Salamancan poet who opposed Franco said <br/><p>“Viendo A’vila se comprende como y de donde se le ocurrio’ a Santa Teresa su imagen del Castillo interior y de las moralas y del diamante.  Porque Avila es un diamante de piedra berroquena, dorada por soles de siglos y siglos de soles.” </p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/Avila-Murallas2.jpg" width="600"/> Basically it’s that “Once  you have seen Avila it is clear how and from where the images of the interior castle and the dwellings and the diamond.  Because Avila is a baroque diamond of golden stone.”</p>
<br/>In Avila I was literally walking on air during my Saturday visits to the Monastery of the Encarnacion (where Teresa entered the convent with her family dowery and lived for 30 years before she was called to  create foundations for convents and monasteries)  and to the Museum of the Convento de Santa Teresa.  It was powerful being in the space where she lived and feeling the Light that glowed around things that were part of her life.  Figuratively and literally.<br/><br/><img border="0" height="1067" src="/userFiles/paulamichaljohnson/webTeresa-with-a-purpose.jpg" width="800"/><br/><br/>I was alone in the monastery for a long time.  Taking my time making it a meditative process. Breathing deeply, taking it all in—the walls, the stairs, the musical instruments she loved. Harps, autoharps, guitars.  She wrote songs to help the nuns deal with things like frisky nits in their harsh habits made from blankets.  It was seeing things she supposedly cross-stitched by hand,<br/><p><img border="0" height="369" src="/userFiles/paulamichaljohnson/webTDJHandwriting.jpg" width="600"/></p>
<p>letters she signed to kings, etc.  What chutzpah!  She had a wooden figure about 3 feet tall that she put in her chair when she left the monastery and later the convent, He was called the tattler.  When she came back from her travels he would “tell her what had been going on in the place in her absence.”</p>
<br/><br/>Later in the morning in the Museum under the church of Santa Teresa, the care with which they hold her was palpable.  Music playing in the background, maps of her childhood home, family objects from her home.  Quotations from her the 12 year old who lost her mother- whom she adored. She experienced a close connection to the Virgen Mary during this time and that is what got her through this gaping hole in her heart.  There were photographs of modern Carmelite nuns, like Edith Stein who converted in the early 1930’s after reading Teresas books.  She was a scholar and teacher who wrote many books, but was killed in Auschwitz.  Her beautiful eyes just called out in longing.   I had this museum to myself except for a few noisy folks at one point.  I am really aware of being in a state of grace without throngs of tourists to call my attention away.<br/><br/>They have preserved all the documents required for sainthood, canonization, beatification.  While there is some information about John of the Cross, her  spiritual companion who was quite young!  It is all in reference to what he did with her.  He’s the one  who sort of first coined the “Dark Night of the Soul”.  She experienced big mood swings in her years and prayed that they would lift.  Imagine playing with the Inquisitors who could put you in jail or –worse-  torture you in bold ways.  She was a converso, from a Jewish family who publicly converted to Catholicism to keep their lands and houses and the family supported the church financially.  Interestingly, John of the Cross shared this history with her.  Some of the ostracism the two experienced was linked to this common heritage not just the fact that they levitated together in the locotorio in the basement of the Encarnacion monastery.  <img border="0" height="1067" src="/userFiles/paulamichaljohnson/webEncarnacion-Locoturio2.jpg" width="800"/>Ironically, the locotorio is the name used for the little businesses with telephone booths that are used for cheap calling to other countries.<br/><br/>     The next day David went with me again to two museums, the one I saw with the music in the background and the Convento de San Jose which was the first convent she founded.  The feel and tone were absolutely different.  He was moving through so quickly that I lost the exquisite feeling I had treasured the day before.  When we went to the Convento de San Jose, I had a really powerful sense of my excitement crashing around my ankles.  The artifacts in the San Jose museum were covered with bars, like the ones you see in Las Vegas, big bold black bars, that are put there to keep people from stealing things. The museum was  built in the 1970’s  clearly by  people who were so afraid to lose precious objects that they lost the beauty of the objects themselves. Which I guess is what we do when we choke the things we love. <br/><br/> Then we went to the church of San Jose, cold and dark with lots of little chapels all dolled up in gold with statues and burial crypts.  It didn’t feel this was at all like what I thought of when I read her biography.  Later I read that the original church was very simple and unadorned, but after her death—it became a monument to her.  No doubt what people do when they think they are honoring.  Her notions of reminding herself that she was in a human body, like sleeping on a log for a pillow seem a little too much for me.  But it has been an interesting insight to see how the physical space takes on the attitudes of those who have followed.  They think they are doing right by you but….. Somehow the spirit of it gets  lost in translation. I could have gone in for visperia or misas daily.  But I wasn’t drawn to go back.<br/><br/>It is also patently clear that this Teresa business is MY business.  <br/><p><img border="0" height="1067" src="/userFiles/paulamichaljohnson/webSATBlackandWhite1.jpg" width="800"/>It overwhelms David.  He can’t take it in and it doesn’t mean much to him. In fact he compared this trip to the trip we made 25 years ago, that I so fondly referred to as seeing Europe by toilet because we picked up an amoeba in Valencia.  This time he is referring to our trip as seeing Spain by convent.  I hope it’s not the same thing.  Maybe there will be a clearing, which is certainly what happened the first time around.</p>
<br/><p>I especially like this photo, full of light that is in the Plaza de Santa Teresa in Avila.  While you can't make out the face on the top of the pedestal, be sure you know whose it is. Surely one could say I am obsessed.  But we all get drawn to someone's ideas or better resonate with the essence of who they are. </p>
<p><img border="0" height="450" src="/userFiles/paulamichaljohnson/webTeresaSkyAvila1.jpg" width="600"/><br/></p>
<p>The next entry will be in Salamanca<br/></p>
<p><br/></p>
<p><br/></p>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/20675.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Mon, 21 Apr 2008 17:24:30 -0500]]></pubDate>
</item>
<item>
<title><![CDATA[Granada- Meeting the Descalzadas & the Moors]]></title>
<description><![CDATA[<h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2">April 1, 2008 Granada &amp; the Sierra Nevadas<br/></font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img border="0" height="427" src="/userFiles/paulamichaljohnson/webSunset-in-Granada-4th-Ap.jpg" width="600"/><br/>Granada feels its Moorish roots  more than most cities in Spain.  The Alhambra and its Castles look down on our university residence, La Corrala de Santiago. Corrala is a word used to describe a multi-storied building with an large interior courtyard. The snowy Sierra Nevada mountains hale to the south and are visible from many vantage points.  At every turn there are historic and spiritual moments.  The statue of Isabel la Catolica is just down the street from us, yes -- of Ferdinand and Isabella, las tres barcas LaNina, La Pinta y La Santa Maria and the Christopher Columbus event. <br/><br/>  For me there have real opportunities for my heart to expand to twice it’s normal size.  Yesterday I went to see a museum dedicated to San Juan de Dios (John of God) who created an order of catholic monks committed to creating hospitals and serving the poor.  His history is compelling. <br/><br/> As a soldier in the 1500’s he went with his company abroad and got his fill of the down and dirty side of life as a soldier including quite  raucous and raunchy expeditions.  Feeling guilty for his sins he came to Granada and was converted from his errant ways.  He had, however, an episode of mental illness that saw him running through the streets, pulling his hair and screaming in pain,he was taken to Hospital Real for treatment.  The archbishop of Granada saw in him – hope- and thus saved a human being and created a life dedicated to serving the poor.  But the museum is the house where he died.  He did not want to die in the home of a rich dowager, but was ordered to leave the hospital he served and be taken care of.  Ironically five centuries later it is a space dedicated to his life and works.  There was more LIGHT in that place than I have seen in cathedrals.   I saw the paintings of him, some modern- some 16th -18th century.  Most captured an essence, whether idealized or not, with a powerful sense of devotion.  I felt like I was walking on air.  Photography was prohibited. The guide was a young man in his 20’s also compelled by the  museum to be there.  The Wikipedia site on John of  God is a good one.  As the fates would have it, as I walked away from the  museum entrance, emergency medical technicians were moving an elderly woman accompanied by a nun into an ambulance pulled up right at the entrance to John of God’s sacred space.  I stepped back and focused my attention on her, praying that what was best for her would unfold.  I watched as the two pulled out the stretcher and moved her from the wheelchair to the stretcher. It was a familiar feeling, not unlike the hospice volunteering for Care Alternatives in the US.  I did not know if I was witnessing the passage of another soul or not.  It was hard not to see the Divine in these little moments. Not that I would wish that another person would suffer, but that it was laid before me in such a forceful way.</font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img border="0" height="1867" src="/userFiles/paulamichaljohnson/webjuandioposter2.jpg" width="800"/><br/><br/>Perhaps, it was more powerful because I went to the Carmelite’s Convent for Holy Communion that morning.  I don’t know, but it was having a feeling of being led.  It’s like, “See, See, See.”<br/><br/>David and I also went to the Convento de las Carmelitas Descalzas chapel last night for vesperia (vespers) at 7:30 p.m.  I saw a sister at an open door and gave her 10 euros earlier as a donacion.  Then we knocked on the chapel door and someone unlocked the door.  We came into the chapel a single vaulted ceiling with religious art all over. </font></h4><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img border="0" height="1120" src="/userFiles/paulamichaljohnson/webPeregrinoSign2.jpg" width="800"/><br/></font></p>

<h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2">On one side was an altar devoted to the Virgen, Jesus on the Cross and Juan del la Cruz (John of the Cross ).  There was a large  painting of Teresa of Avila as we walked in the door and another sculpted polychrome form above the altar.  The small chapel had a glass divider with wrought iron covering to the left of the main altar, there the nuns sit, receive holy communion, sing the songs of the vesperia service and do the responsive readings.  David and I sat in one of the first five rows.  We were the only people visiting the service.  After observing the space, we heard the sisters reading together and the man who opened the chapel offered to share his book of the services, so he gave me his chair near the glassed portion with the sisters on the other side, so I could hear them and he led me in the responsive readings from their book of prayers in Spanish.  I felt as though he heard my desire to be closer.  I would never have been able to follow it otherwise.  His melodious voice carried me through the responses. I sensed that for whatever reason, I was there for exploration of what it feels like to be hooked into the life of the spirit in a different way. I breathed it all in.  As I went back to join David, we sat together in silence and the guide quietly pulled his cell phone out of his pocket went into a hallway across the altar and whispered into the phone.  In a heartbeat, it was over.  We both left feeling more connected to something larger than ourselves.  There are only pictures of the outside of the building, no pictures inside. But I guess that we have pictures etched inside us.</font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img border="0" height="1120" src="/userFiles/paulamichaljohnson/webConventoDescalzasGR2.jpg" width="800"/><br/></font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><br/><br/>Off the Calle Elvira is an area of teterias and up an old street in the Moorish quarter of the Albaiycin, below the Sacromonte (Sacred Mountain)–the mountain- that is now home to the Gitanos- and flamenco in the painted caves, there is a section of tea houses usually Morrocans run them.  There are small tables with pillows or couches around them, some tables have hookas on them. Since we don’t smoke were not attracted to them All sorts of teas, milk shakes etc. are offered to you and pastries. </font></h4><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img border="0" height="1200" src="/userFiles/paulamichaljohnson/webmoroccanteteria2.jpg" width="800"/><br/></font> </p>

<h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In the narrow streets are many different tea shops and Arab restaurants. The bazaar atmosphere prevailed with bright colorful tapestries hanging from the ceilings, lots of clothing, and beautiful tea services.  It was dark when we were wandering through the roads trying to find something to eat.  David wanted more than pastries and after his experiences in Turkey he was wanting a glass of wine, which they don’t offer in the teterias. <br/></font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We  took in one of the Flamenco spectaculos, the Gitano culture (gypsy) in Sacromonte, Sacred Mountain, as part of a herd of French retirees. Flamenco resonated with David with the complicated rhythms, clapping, shoes notching the clicking and tapping of the heels onto the stage.  It’s hard to capture the essence of it.  We were prepared for the show to be awful because I chose to buy tickets off the street in a shop.  A minibus was supposed to pick us up at an intersection at 10 p.m.  And they did.  There were about 5 minibuses that cart tourists up the  mountain, the trick was to get the right bus for the Cueva and show you bought.<br/><br/></font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The performances were staggering.  The coordination of castanets by a woman probably in her late 60’s was stunning.  With tiny almost imperceptible motions she created intense and clear sounds that amplified her own dancing.  Yes, she was clearly one of the organizers of the troupes. It was compelling We will never think of Flamenco as just a performance.  It is deeper than we knew.  We know now that the true flamenco artists are often found in bars playing one of the three types of flamenco songs, the blacksmith's songs, the prison songs, or the bluesy songs of lost love and misery.  But this was a splash of flamenco for the novice.  Apparently we need to go to Seville for the down to earth flamenco musicians.</font></h4><h4><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><br/><br/>We have mixed feelings about seeing the Alhambra again. We saw it in 1994 and were awed by the beauty of it.  Now we can see it from afar and rekindle the memories. <br/><br/><br/>Mathematical Aside:  <br/><br/>We are feeling our age now.  David gave his talk today at the University of Granada and we had lunch with Angel Ferandes and his wife Marisol.  They were our hosts in Valencia 25 years ago. It appears we will see them again early in May at the University of Murcia where David will give a talk and then we will likely go off to Alicante on the beach for May 7th for the night of our anniversary—25 years.  The twists and turns of our lives – none of this was planned.  <br/><img border="0" height="400" src="/userFiles/paulamichaljohnson/webangelmarisol.jpg" width="600"/><br/>For those of you mathematicians, here is another curious jog in the road. David was not told that Roger Penrose, who was a Pitcher lecturer at Lehigh years ago, would be in Granada while we are here.  So David’s talk was sandwiched in between two of Penrose’s talks.  People were a little talked out.  Also apparently the University of Granada has  been appointed to house a research institute like IHES in France or MSRI at Berkeley. Other institutes will be in Madrid, Barcelona and Santiago de Compostela in Galicia.  Looks like sabbatical heaven.<br/><br/> David attended a doctoral defense yesterday which was quite interesting, half was in Spanish, then the candidate  gave the other half of the talk in another language.  He chose English which is apparently quite common.  They must prove they are competent in another language.  <br/><br/>Mathematicians came from quite a distance to hear Penrose speak.  That is how David connected with Angel Ferandes who is quite prolific in producing graduate students.  Looks like David will travel to Univ. of Murcia sometime late April or early May, before he goes to Lyon, France for a conference and further work with his new colleague from the University of Lyon, Vincent.<br/></font></h4>]]></description>
<link><![CDATA[http://www.blogtext.org/paulamichaljohnson/article/20236.html]]></link>
<author><![CDATA[freeblog@blogtext.org]]></author>
<pubDate><![CDATA[Sun, 06 Apr 2008 19:40:23 -0500]]></pubDate>
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